Category: Folk music writing

Ross Couper & Tom Oakes: The Interview

There are so many ways to interview musicians these days – phone, Skype, WhatsApp (yes, it’s possible) – but nothing beats sitting backstage at a festival, face to face, with the music from the main stage pounding away in the background. That’s the setting for the second half of this double interview with Ross Couper […]

Martin Simpson, ‘Trails & Tribulations’ – a review

The life of a folk musician in 2017 is something of a nomadic ritual. In search of audiences, you spend huge amounts of time traversing A-roads, B-roads, deserted night motorways lit in murky orange and country lanes lit by nothing at all. It’s time spent thinking, working things out, meandering down half forgotten memory lanes, […]

Rosie Hood on folk song collecting in the 21st Century

In the months that I’ve been interviewing folk singers for this blog, one thing that tends to come across perhaps more strongly than anything else is the sense of enthusiasm for the subject. It doesn’t seem as though traditional folk music, in England at least, is something you get into lightly. It becomes a bit […]

Marry Waterson on Bright Phoebus: an album of myth and magic for all the family

The great ‘lost’ folk album, Bright Phoebus, means a huge amount to a lot of people, most of whom assumed that it would remain lost given that its two central figures – Lal and Mike Waterson – have now passed away. But a springtime announcement changed all that when it was revealed that Lal’s daughter, the artist […]

Bampton Morris Dancing, Whit Monday, 2017, in pictures

There’s a tendency for young(ish) people in the UK to scoff at Morris Dancing, dismissing it as a rather embarrassing pastime better left to the elderly and/or inebriated. Given this unfortunate presumption, it’s surprising to find that it continues to exist – which makes the longevity of the Bampton Morris tradition, and others like it, even […]

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