Category: Folk music writing

The Doc Rowe interview: “I’ve gone to places and missed the ceremony by 19 years because they only do it every 20 years and I’d got the date wrong”

When we met Doc Rowe earlier this year, we turned up with a list of questions and an hour set aside. We’d have been better advised to burn the notepad and clear our diary for the next month. Boy, that man can talk. But, then, when you have so much to say, it’s hardly surprising. The […]

Lisa Knapp on “Till April is Dead”, collaborating with guitar legends and the immortal importance of the shipping forecast

I first heard Lisa Knapp when I came back from living in Japan. In the decade I’d been there, I’d found myself drawn into a musical scene that centred around a duo called Tenniscoats – a couple who mix fragments of acoustic performance into weird and wonderful soundscapes. I was keen to find someone in the UK doing […]

Sam Sweeney: “We don’t have the budget for leaping in Eliza’s band”

It took yonks to track Sam Sweeney down, but only a few minutes to realise why that was. Just take a look at this interview. The man is involved in a million things at once and incredibly passionate about doing them without half-measures. He joined Bellowhead on the cusp of adulthood, and he seems to […]

Paul Sartin on Bellowhead, Faustus, The Transports and a life in folk music

This week’s folk conversation is sprawling to say the least, but that’s to be expected when your chatting with a man who has been a fiddle and oboe player in Bellowhead, a musicologist, one of the blokes in Faustus, one of two Pauls in Belshazzar’s Feast and the musical director of the triumphant recent production […]

Sandgate Dandling Song (or the Liverpool Lullaby) | Folk from the Attic

If Martin Simpson is to be believed (and I’ve no reason not to), one of the definitions of a folk song (or a traditional folk song, at least) is that nobody can remember who wrote it. If that’s the case then this article is not about a folk song at all. It’s about a song by […]

Emily Portman on studying folk music at university, collecting supernatural folk songs and how to be a touring mum

A folk music conversation with Emily Portman is a many splendored thing. A prominent part of the contemporary scene as an in-demand performer and songwriter, she is also deeply fascinated by the academic side of the tradition – willing and eager to talk at length on everything from the lives of the collectors to the themes […]

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