Category: Folk music writing

Rachael McShane: The Grizzly Folk interview

Rachael McShane was the only female member of folk phenomenon, Bellowhead. You probably knew that. If you never saw Bellowhead live or on the TV, you’d have been able to find that much out from the internet. It’s probably why you’re here, reading this article. “Rachael McShane”, you’ll have thought. “She was in Bellowhead. I’ll […]

There Was an Old Man Came Over the Sea [Roud 362] | Folk From the Attic

Here’s a great one for fans of traditional folk that love to see how songs change from place to place. Like many modern listeners, I first encountered ‘There Was an Old Man Came Over the Sea’ on Lankum‘s album, Cold Old Fire [2015] – a haunting, disturbing version featuring a spellbinding performance from singer, Radie Peat. […]

The Gift Band Interview: Eliza Carthy on Norma Waterson, working at The Globe and Martin Carthy’s new version of ‘Scarborough Fair’

It’s a big weekend for folk music, especially if you’re in London and you’ve got a thing about The Watersons. On Friday, The Gift Band (made up, in part, of Norma Waterson, Eliza Carthy and Martin Carthy), release their latest album, Anchor, on Topic Records (you can order it by clicking here), and that’s swiftly followed […]

The Brave Dudley Boys [Roud 1131] | Folk from the Attic

This post is as much a tribute to one man as it is as history of ‘The Brave Dudley Boys’. The more you delve deeper into traditional folk music in the UK, the more you encounter certain names – figures that may be little known outside the cannon, and sometimes no better known within it, but […]

Matthew Crampton: The Transports & Human Cargo – storytelling without borders

I have a kind of modus operandi here on The Grizzly Folk blog. It was created to explore the world of traditional folk music and, as much as I’d like to review and chat to singer-songwriters who play non-trad folk, that’s not what this website is for. Usually, this works quite neatly. Occasionally, however, the […]

Are the rumours of a Morris dancing revival to be believed? Will Pound says it’s time to get your clogs on

If The Guardian is correct in its assertions, the Morris is making a comeback. Maybe it’s because yesterday was Mayday and, for a few brief hours at least, also quite sunny, but a good number of people on the folkie social media channels (myself very much included) were getting quite giddy about the sudden revived interest. […]

Adieu, Adieu [Roud 490] | Folk from the Attic

In investigating Birmingham songs, I’ve come to realise that two source singers in particular stand out. Perhaps the most widely known was Cecilia Costello, a Digbeth singer of Irish decent that may have acquired at least some of her repertoire following a spell working (not residing) in a Winson Green workhouse. She was visited twice […]

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