Category: Folk music writing

As promised, here’s some background to ‘The Trial of Bill Burn Under Martin’s Act’. Unfortunately, there’s not nearly as much info here as there was for ‘Holly Ho’ (click here to confront that juggernaut), or even as much as ‘Who Hung the Monkey?’. Still, it’s a great song from a great story, and it’s worth…

Part of the fascination I have for traditional folk songs is the way in which they humble the singer. As a singer/songwriter, I spent years thinking about the ways in which a song represents the self – a snapshot or meditation on the writer in that moment. What grabbed me about traditional song was how much…

On June 9th, I took the Midlife songs back to Brum. Performing at Kitchen Garden Cafe, I was delighted to see folk writer and presenter, Mike Davies, in the audience. He subsequently sent me the following review. Thanks, Mike! ‘Wilks is the sort of performer folk circles mean when they talk of the living tradition’…

‘Poverty Knock’ is nothing short of a classic. I first heard it while painstakingly trying to pick it out on a piano, struggling to read the music in Roy Palmer’s book of the same title (not that Palmer scored it badly – my sight-reading is woeful). It’s one of those “folk songs” that makes the…

Who Hung The Monkey deals with the tale of the Hartlepool monkey (named Pug in this song) that washed up on a beach during the Napoleonic Wars and was hanged by the locals for being a French spy. An easy mistake to make, it seems, especially if you’ve seen neither a monkey or a French spy. Amazon.co.uk Widgets…

Yep, you read that title correctly. I remember sitting in the library at Cecil Sharp House with a friend of mine, back when I started researching Midlands folk songs, when he held up a book opened at this song and whispered, “This can’t mean what we think it means, can it?” Amazon.co.uk Widgets See more…